A journey from creation to situation

collections, Making, Public Art
Hammer Head

Hammer Head. Only Human Collection. Sam Shendi 2017

On Saturday in the early hours of the morning, the sculptor set off to take a number of sculptures down to St.Botolph’s building in Aldgate, London. It’s a long journey there and back in one day and it takes it out of him each time. The sculptures will be  on display for 6 months and dominating the reception area of this modern building.

Some people use only their heads to plough on through, working hard, determined to make a difference. They use their heads for work. It’s quite appropriate then that this sits inside the reception for a Law firm.

hammer head in lon 3hammer head london2Hammer h in london

preparing the hammer head

It is easy to forget once they are inside an industrial building that these sculptures are all hand carved by my husband, it’s so ‘perfect’ looking, with today’s modern industry where things are moulded and formed by machines. My husband’s  philosophy is that art should be beautiful, he has such skill with his hands and traditional sculpture methods which makes me believe he is one of the classic sculptors in our time and we are working to get him known for that. Behind each piece is a philosophy, a story.

The sculptures themsleves go on such a journey from creation, being in the studio, photo shoots and they look different being placed in the ‘outside world’ rather than being in the studio. These have had such a fantastic response on social media which affirms how these works should be out in the public arena wherever possible.

We are all on that journey. From the start, to where we will end up and how we will tunnel our way along. Laid back with no ambition? Meandering along life’s twists turns? Or like a hammer in a relentless and repetitive rhythm to achieve the end result. It is a journey in the making from creation to situation.

To go and view these pieces you can get in touch with info@ARTful.org.uk.

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Stuck? How to make a decision?

collections, Colour

 

Spilt decision

Split Decisions (Front view)

This piece could in some ways symbolise me, we all can relate to the position of not being able to make a choice when both options seem as bright and positive. How do we make that choice?

split decision from back

Split Decision (back view)

We can get stuck in the middle, in the dark black blue centre. Each pathway seeming viable and having pro’s. To be indecisive though can be paralysing and we live in a world with too much choice and a plethora of options. We have to get better at listening to our heart.

I used to get into this dilemma even at a place to eat when there is choice.  I have found it so hard to make decisions but now, much better at listening to myself. I can see it in my eldest son too who finds it hard making a decision when faced with lots of options. We try to teach him that he needs to make a choice and then assess whether it was a good one or not for him so that next time it might be easier. My youngest son is more like the sculptor, some how has a stronger instinct on what they want whether out be right for them or not. A natural gut feeling. The sculptor has been using this expression a lot recent, in fact we had to it out from a video we have had recorded of his latest collection where he used it several time (video coming soon).

We are human, we can feel one thing in one moment and another in a next. We are human beings, full of contradictions. If we do spend time and connect, listen to what our inner voice is telling us then it can be a little bit easier to make a decision. Deep down we do know what we want. The noise and confusion of life sometimes cloaks us in a veil of insecurity about the direction we need to follow.

This piece is very much like a yoga pose, in fact a lot of the sculptures could almost be yoga positions. I have just come to the end of a 30 day yoga journey with Yoga with Adriene. Would highly recommend it for helping to connect with yourself and who you are. Ultimately this helps to make better choices, decisions more in keeping with our own path.

Split decisiosn from side

 

The human stepping stone

collections, Philosophy, Relationships
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‘Stepping Stone’ 2017 sculpture by Sam Shendi. Part of The Only Human Collection

This piece is classy and humorous at the same time, I think. The concept is the idea that people can use other people as ‘stepping stones’ to get ahead.

We had been so hopeful at the end of 2017 that a commission work could be a ‘stepping stone’ for progression and it felt a huge blow that we were unsuccessful. I recently read that, ‘the gift of disappointment is to bring us into reality so we don’t get stuck in the realm of how things might have been”. It was really a learning curve for us both, whilst my husband had the expectation of how life would be as a consequence he also has the ability to quickly move on and is undeterred. On the other hand, I don’t have the same future vision but I find it much harder to remain so positive and inspired after experiencing that kind of disappointment. Perhaps because I am the ‘supporting’ artist rather than the lead character in this quest of ours. I was thinking that this piece is very symbolic of the issue within the movie world at the moment.

The recent outing of men abusing their position to allow woman to get ahead or prevent them from doing so in films. My husband thinks the whole industry is built on it and so how can it really change or be made into anything with ‘morals’. However, it highlights the point about how people can abuse their position, these men are powerful and can influence and have the ability to make or break the careers of aspiring filmmakers and artists, particularly young women who are trying to make their way in the industry.

STEPPING STONE FRONT

I love the angle of this image, the piece does look more female, perhaps more vulnerable and the elongated head more like an Egyptian Queen.

 

But this piece doesn’t just need to represent woman. It could be the idea of parents pushing their children as a ‘stepping stone’ towards something or colleagues competing between each other for a promotion,  governments using people as a stepping stone to push through policies. This is a visual story of the way people use others to move their own lives forward and use the shoulders of someone else to get ahead.

sTEPPING STONE BACK

Wrapping up 2017 and Moving Forward

collections, Colour, Soul searching
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‘Moving Forward’ @Sam Shendi part of The Only Human Collection

2017 began literally with a disappointing New Year’s Eve event for the sculptor followed with tragic news in the first week of January. I am ending the year with a cold-flu-cough that has lasted near on three weeks and a year which has flown by without a sense of much achieved personally. It has in all been a strange year, one where I have discovered things which I am hoping will steer me into a clearer direction in the new year. So I am starting 2018 with a totally new approach. Goal setting, time planning and organisation. Looking into 2018 with hope and my focus word for the year; Purposeful.

Each year I think I have been looking forward but staying in exactly the same spot. Cue sculpture,’Moving Forward’, similar to  the last sculpture I wrote about ‘Awkward’, somehow defies gravity and plays with it so that you think it might fall. Yet stable and unmoving, we can be like this, think we are progressing when really we a stuck in exactly the same place.

Despite feeling unhealthy and a little bit overwhelmed at how little I have done over the last few weeks I am determined not to let that affect my resolve to achieving my goals. I am hopeful that setting goals will be more purposeful than a resolution.

Let us all make 2018 a year of change, progression and moving forward. Wishing you a happy and purposeful 2018.

That’s a bit awkward

collections, Relationships

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This piece sums up my three Shendi boys who all have tendencies to lean towards being awkward rather than compliant. I think I am compliant. So why am I surrounded by the ‘awkward’? But when does awkward become just being yourself? Should we have to tip ourselves towards someone else’s preference just to make things easier or more comfortable for ourselves or for them?.

My husband made this piece in the knowledge that he can be awkward. Meaning that he has very clear ideas, things are nearly always black and white to him. Often that doesn’t always fit in with those around you. In some ways that is easy to deal with, you know where you are or what a person’s preferences are. Sometimes it is just difficult. The piece itself looks difficult, defining gravity it makes you feel a little bit awkward looking at it. Yet it is still stunning and the fact that it does balance is the genius of the sculptor. I guess being awkward has it’s trade offs.

If you are easy either way about something it can be more straightforward to fit in with those around you but you can easily then drift along not really doing what you really want to do. As you can tell I have no black and white idea on which is the better way to be. Perhaps, that ultimately is the point. We should be more accepting of others opinions, ideas and view points without having to have them agree with us in order to get along. I have found this very interesting in living with someone who often has a very different viewpoint from myself. Either because he does or he’s just being awkward!

 

Fall.

collections, Colour, Public Art

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This is the first piece in the ‘Only Human‘ collection, ‘Falling into the past’, which looks a little like a yoga pose and one which is very good for opening up your heart space. Below the images shows the red section in that heart space area of the body. Sometimes we need to let go of whatever it is we are holding onto so tightly in order to feel lighter once again.

Fall, feels like such an Americanism but in recent years we have really started to use it here in the UK. I think it is the artists season, the colours, the light, the contrast and the imagery. I recently saw the quote that Autumn is, “natures way of showing is that we need to let go.” We do need to develop an art of letting go, materially and emotionally. It can be a real struggle, we hold on to things unnecessarily. The Buddha said, ‘the root of all suffering is attachment. We can attach ourselves to time, place, people, objects.

In my rough notes for writing this post I have ‘time travelling and Harry potter’ scribbled down which I am not quite sure where I was going with that. Probably something to do with finishing ‘The Cursed Child’ with my eldest which really used the idea of time travel and perhaps I had thought ‘Falling into the past’ had some connection but any deep meaning has escaped me.

This sculpture for me represents the feet firmly placed in the past, the head in the future. The heart space is in the here and now and there we can rest and let go.

Fall

Oh leaves

so gently falling,

drifting to the ground

whilst we stand firm

and dig in our heels,

so proud.

Let us look,

to nature

to learn what we are shown

that change is essential

to become fully grown

so let go 

let’s flow

as we become lighter

brighter 

new ideas are sown.

Oh leaves

so gently drifting

let us learn to be

like the autumn fall

new colours for all to see.

 

 

We are only human after all

collections, Colour, Relationships

Most of the work my husband sculpts forms part of a collection, a group of sculptures under the same title. The latest finished collection is, “Only Human”, born from ideas taken from human phrases. Phrases we use in conversation that has then shaped the form of these vessels. Human beings are fallible, we are not perfect and we can only strive for improving ourselves.  Always  makes me think of the song, “Human” by Rag’n’bone, as the boys did a Viking song based on the rhythm and we had the song going around our head constantly. ” We are only human after all, don’t put your blame on me.” Human beings are no longer a subject of focus on a daily basis and in many ways have become devalued. Alex Rodgers wrote a book with the same name about the current issues and problems young people face in today’s society.

Each sculpture is created as a human figure whilst simultaneously acting like a canvas which if stretched out would give you an abstract colourful painting, showing that emotion has a colourful impact on human energy and action. These pieces are a frozen body movement which has been shaped by the emotion to allow you to understand that each one of them is only a presentation of who you are. The colour e describes the emotion hidden within the piece and is a completion of the actual concept. Our emotions are so powerful, if we look back at the past mankind uses this emotion to direct not just thousands but millions.

All these pieces have been hand carved using various materials and then painted. Many people can have a create talent, they can draw, paint, take a photography or work with clay or wood. It is something again to bring something out from an imagination of an idea or concept and one in which you are telling a story. In an attempt to be more organised the next series of blog posts I will go through each one in turn, but for now you can think of your own  titles for the pieces.

Only Human. Sam Shendi. 2017.


The Date

collections, Relationships

I looked to the stars and promised to stop searching and start focusing on myself. Two days later, May 19th, I remember the date, there was a knock on the front door of my parents house. I walked down the stairs and there he stood. Almost like a prayer answered. He was designing the bathroom and we all sat at the dining room table talking to my parents about bathroom taps. I have a vague recollection of bringing down my art folder and showing him the cards I was working on. Think he had been expecting a 15 year old when my parents had said they had a daughter at home.

It was pouring down with rain so my Dad offered him a lift back to the shop and he asked him why I looked sad. My Dad told him and he said something along the lines of, I’ll look after her. He then went into the showroom (we didn’t own one at the time) and told the owner he had just met his wife. That was fourteen years ago next month.

Today we have been married 11 years. How he knew, I don’t know. He knows things like that. Strong gut instinct, where as I have less of a gut instinct. Yin and Yang we are. Funny how we remember significant dates. Capsules of time. I hear a lot about people having date nights. We don’t do date nights. It’s aways a date. We seem to be in a perpetual flow of living, talking, laughing, walking through this journey of life, art and love.

The style and theme of this new collection started way back then in those early days. He made a medium sized wooden one and hand painted it in our flat. It was so different from all his clay work at that time. I loved it, I always said it was the best. We then had it outside our house for years but of course it couldn’t sustain the weather conditions. Once we had the studio he made 3 large ones from steel. One sold through Mayfair and another through Saatchi online to Panama, we had interest in the third but they chose something else instead. I always jump up and down saying I knew it was special. Now we have a collection of these, a reminder of how things start and grow. Like a date.

The Date (2016) Sam Shendi

Example of minimising with meaning

collections, Colour, Conceptual, Connections, Making

After posting my last blog entry I realised I had left out a really important image of a piece which sums up the  ‘Less is more idea’. So to follow on from Friday’s post:

thinker

‘Thinker’ (2007)

When asked to choose a favourite piece the sculptor often  settles for this piece; inspired by two of his favourite artists Rodin and Mondrian. After making this piece he realised he was influenced by both artists and the architecture of the 60’s. “The concept of minimalist architecture is to strip everything down to its essential quality and achieve simplicity. The idea is not completely without ornamentation, but that all parts, details, and joinery are considered as reduced to a stage where no one can remove anything further to improve the design.”

I think these words echo truth concerning this sculpture and many of the others, “no one can remove anything further to improve the design.”

This piece is entitled ‘The Thinker’, harps back to the old masters but brings a unique contemporary style for today. It combines the fascination of the piece, ‘The Thinker’ by Rodin and the abstractions of Mondrian.

Ad Reinhart remarked, “The more stuff in it, the busier the work of art, the worse it is. More is less. Less is more. The eye is a menace to clear sight. The laying bare of oneself is obscene. Art begins with the getting rid of nature.
The use of colour is with purpose, the bright yellow represents the spark of an idea, a light bulb moment enhancing the idea of ‘The Thinker’. So whilst this piece strips back all the details of the human body, it still provokes thought, meaning and symbolism.

The story of Atlas

collections, Connections, Public Art

The ancient Greeks told tales of giant beings called Titans. The sculptor and I might have been cleverer to call this collection The Titans but perhaps ‘The Giant collection ‘is more straightforward. One Titan’s name was Atlas, he was the leader in a war against Zeus, the sky and thunder-god Zeus. After the defeat of the titans Zeus condemned Atlas to stand at the western edge of the earth and hold the heavens on his shoulders to prevent the earth and sky resuming their primordial embrace.

 

greco-roman-statue

Greco Roman Statue

There has been a misconception that Atlas carries the world on his shoulders as classical sculpture often shows Atlas holding the celestial sphere but it has been misunderstood to be a globe. Atlas therefore embodies the celestial axis and is the personification of endurance as he was a sentence to hold up the sky for eternity.

 

 

 

In later myth he finally turns to stone and becomes what we know now as the Atlas Mountains. Around 500 years ago Mercator made a book of maps and named it an Atlas, Keeper of the World.

In classical European architecture an, ‘atlas’ is a support sculpted in the form of a man, which takes places of a column. Named ‘Atlantes’ these express extreme effort in their function. Head is often bent forward to support the weight of the structure above them across their shoulders.

atlas-from-below-2

Atlas (2016) Sam Shendi

Here, in this contemporary version of Atlas, Shendi depicts the head bent forward but in an almost ironic twist we see across this titan’s shoulders a collection of birds.

This sculpture depicts the notion that today we carry a weight on our shoulders, which often isn’t as heavy as we might believe. Most of humanity share similar experiences and memories that can weigh us down. The use of colour in this piece represents memories and emotions. The figure here represents us, the birds our problems, which have become larger than the reality of them.

Birds perched together decreases the risk of predators and they usually choose places to roost, which are safe. The size of this giant hasn’t prevented the birds from staying. We associate ‘giants’ with the idea that they have power or a physical presence over us. In this case the birds are the more empowered presence. Just as we can sometimes not shake off our worries or the past, this giant man is unable to shake off the birds.

birds

“That great giant, Atlas, whose shoulders bear the circling sky.” Ovid, Metamorphoses 6. 172. Birds often circle the sky following migratory patterns using the sun to navigate by day and the stellar compass at night which depends on the constellations. So they have a need for this ‘Atlas god of astronomy and navigation.

So this piece is heavy in it’s symbolism, rich in its references to classical art and architecture and also brings to modern society a philosophical idea and message that sometimes we need to let go of the heavy burden which weighs us down. Especially here in the ‘western’ world where our problems by comparison should be fleeting.