Wrapping up 2017 and Moving Forward

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‘Moving Forward’ @Sam Shendi part of The Only Human Collection

2017 began literally with a disappointing New Year’s Eve event for the sculptor followed with tragic news in the first week of January. I am ending the year with a cold-flu-cough that has lasted near on three weeks and a year which has flown by without a sense of much achieved personally. It has in all been a strange year, one where I have discovered things which I am hoping will steer me into a clearer direction in the new year. So I am starting 2018 with a totally new approach. Goal setting, time planning and organisation. Looking into 2018 with hope and my focus word for the year; Purposeful.

Each year I think I have been looking forward but staying in exactly the same spot. Cue sculpture,’Moving Forward’, similar to  the last sculpture I wrote about ‘Awkward’, somehow defies gravity and plays with it so that you think it might fall. Yet stable and unmoving, we can be like this, think we are progressing when really we a stuck in exactly the same place.

Despite feeling unhealthy and a little bit overwhelmed at how little I have done over the last few weeks I am determined not to let that affect my resolve to achieving my goals. I am hopeful that setting goals will be more purposeful than a resolution.

Let us all make 2018 a year of change, progression and moving forward. Wishing you a happy and purposeful 2018.

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Fall.

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This is the first piece in the ‘Only Human‘ collection, ‘Falling into the past’, which looks a little like a yoga pose and one which is very good for opening up your heart space. Below the images shows the red section in that heart space area of the body. Sometimes we need to let go of whatever it is we are holding onto so tightly in order to feel lighter once again.

Fall, feels like such an Americanism but in recent years we have really started to use it here in the UK. I think it is the artists season, the colours, the light, the contrast and the imagery. I recently saw the quote that Autumn is, “natures way of showing is that we need to let go.” We do need to develop an art of letting go, materially and emotionally. It can be a real struggle, we hold on to things unnecessarily. The Buddha said, ‘the root of all suffering is attachment. We can attach ourselves to time, place, people, objects.

In my rough notes for writing this post I have ‘time travelling and Harry potter’ scribbled down which I am not quite sure where I was going with that. Probably something to do with finishing ‘The Cursed Child’ with my eldest which really used the idea of time travel and perhaps I had thought ‘Falling into the past’ had some connection but any deep meaning has escaped me.

This sculpture for me represents the feet firmly placed in the past, the head in the future. The heart space is in the here and now and there we can rest and let go.

Fall

Oh leaves

so gently falling,

drifting to the ground

whilst we stand firm

and dig in our heels,

so proud.

Let us look,

to nature

to learn what we are shown

that change is essential

to become fully grown

so let go 

let’s flow

as we become lighter

brighter 

new ideas are sown.

Oh leaves

so gently drifting

let us learn to be

like the autumn fall

new colours for all to see.

 

 

We are only human after all

Most of the work my husband sculpts forms part of a collection, a group of sculptures under the same title. The latest finished collection is, “Only Human”, born from ideas taken from human phrases. Phrases we use in conversation that has then shaped the form of these vessels. Human beings are fallible, we are not perfect and we can only strive for improving ourselves.  Always  makes me think of the song, “Human” by Rag’n’bone, as the boys did a Viking song based on the rhythm and we had the song going around our head constantly. ” We are only human after all, don’t put your blame on me.” Human beings are no longer a subject of focus on a daily basis and in many ways have become devalued. Alex Rodgers wrote a book with the same name about the current issues and problems young people face in today’s society.

Each sculpture is created as a human figure whilst simultaneously acting like a canvas which if stretched out would give you an abstract colourful painting, showing that emotion has a colourful impact on human energy and action. These pieces are a frozen body movement which has been shaped by the emotion to allow you to understand that each one of them is only a presentation of who you are. The colour e describes the emotion hidden within the piece and is a completion of the actual concept. Our emotions are so powerful, if we look back at the past mankind uses this emotion to direct not just thousands but millions.

All these pieces have been hand carved using various materials and then painted. Many people can have a create talent, they can draw, paint, take a photography or work with clay or wood. It is something again to bring something out from an imagination of an idea or concept and one in which you are telling a story. In an attempt to be more organised the next series of blog posts I will go through each one in turn, but for now you can think of your own  titles for the pieces.

Only Human. Sam Shendi. 2017.


Getting back into a routine and flow

Apparently it is 2 months since I last posted and I have been very aware of that fact but I just haven’t been able to sit down and write. It was the summer months with the boys off school and other things seem to have taken over in my to-do list. So I have slowly been getting back into my routine but still need to be a bit more productive when it comes to blogging! I have been a little too preoccupied with Instagram which I have just discovered, although haven’t completely got my head around it yet. I have also done lots of interesting reading. In one book which I will relate to more in my next post (see getting a bit organised!) the chapter opening is entitled, ‘Flow. The Genius of Routine. Routine , in an intelligent man, is a sign of ambition -W.H. Auden.  Although, generally my husband I would describe is not quite a creature of habit as am I but when it comes to the studio he definitely is in a routine and it pays off. Over the summer the following pieces went to new homes:

Defeated Butterflies, in his new home in Johannesburg
‘The Wedding Dress’ in her new home in Johannesburg

 

 

‘The King and Queen’, in their new home in SouthSea

‘Witnesses’ in the entrance to the Tennis Club in South-sea
Press Article in South Africa

 

Creative Education

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Family Portrait (2016)

I thought that following my perhaps, sorrowful sounding poem, in my last post; I should qualify that I don’t in anyway regret the decision to stop rowing. I had a fleeting thought where I wondered why I didn’t follow through with doing the PGCE course at Cambridge, from where I could have followed through with rowing after my degree more easily than rowing out of London but I wouldn’t be where I am now if that had happened. Fate. My parents are both teachers and coincidently both ‘the sculptor’s’ parents were. I feel there is something about education which is in our blood, but both myself and my two siblings have probably intentionally avoided it. Which is why I probably didn’t go through with the PGCE course!

So my relationship with my boys education is quite impassioned. After going to parents evening the other week it is apparent that both boys are naturally creative. I guess it’s in the genes. As much as I am impressed by both their individual teachers and the creativity that has been covered. I wish for them a more creative led education system. I am not sure this current system will display the bright sparks they are. But does that really matter?

Part of me wishes that I had the energy, resources and space to home school them. So that learning could be child-creative led. In today’s world I am not sure there is such a need to be solely focused on Maths and English and the level for a 6 year old seems absurd. I am not sure I could answer some of the SAT’s questions on the Key stage one paper. Yet they also do interesting topic work but I am not sure what that teachers them per say.

right brainEducation should not be about ticking boxes or getting grades. It should be about learning, exciting and encouraging learning as a life long process. My six year old’s teacher said that, ‘you can tell he sees drawing as work’. However, if you ask him what he likes at school he will say, “Art” and what he doesn’t like is “working”. Surely all learning needs to be seen as fun for as long as possible. If sitting a six year old down for fractions and finding a verb in a sentence is hard work it leave little for when they are 16 surely.

I also think achievement in school does not necessarily correlate with life achievement or career achievement.  It is difficult to compare my husband’s education, he was schooled in Egypt, Yemen and Saudi Arabia and Fate. His education really started when he was at university in Cairo, which was free but that’s a whole other issue. So I could rant on but instead will  introduce this new collection. The Family Portrait, it is one of a set which is a smaller sized collection which I will try and cover over the next few weeks.

Example of minimising with meaning

After posting my last blog entry I realised I had left out a really important image of a piece which sums up the  ‘Less is more idea’. So to follow on from Friday’s post:

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‘Thinker’ (2007)

When asked to choose a favourite piece the sculptor often  settles for this piece; inspired by two of his favourite artists Rodin and Mondrian. After making this piece he realised he was influenced by both artists and the architecture of the 60’s. “The concept of minimalist architecture is to strip everything down to its essential quality and achieve simplicity. The idea is not completely without ornamentation, but that all parts, details, and joinery are considered as reduced to a stage where no one can remove anything further to improve the design.”

I think these words echo truth concerning this sculpture and many of the others, “no one can remove anything further to improve the design.”

This piece is entitled ‘The Thinker’, harps back to the old masters but brings a unique contemporary style for today. It combines the fascination of the piece, ‘The Thinker’ by Rodin and the abstractions of Mondrian.

Ad Reinhart remarked, “The more stuff in it, the busier the work of art, the worse it is. More is less. Less is more. The eye is a menace to clear sight. The laying bare of oneself is obscene. Art begins with the getting rid of nature.
The use of colour is with purpose, the bright yellow represents the spark of an idea, a light bulb moment enhancing the idea of ‘The Thinker’. So whilst this piece strips back all the details of the human body, it still provokes thought, meaning and symbolism.

Finding butterflies

Overwhelmed, by seemingly everything at the moment is how I am feeling and yet I know I should be grateful that in so many ways my life is relatively straightforward. The summer holidays passed in a flash and whilst I was more mindful to enjoy the moments with the boys, I was still relieved some what to parcel them back to school this week. Although this gives me a little more time, the activities we are involved in and school work resuming seems it’s just one hectic life for another. I need to find my butterfly wings and aim for feeling less defeated.

The time with the boys has distracted and separated me from the world of art a little and I have missed a few scoops which occurred over the holidays with little time to blog. So here is one: We woke on August 3rd in the morning to receive several messages that my husband had coverage of his name and work on the morning breakfast show. His work got really good coverage and the weather reporter mentioned his name twice The reporter seemed to really like the butterflies and the colours of his work. Here is the best clip we got, doesn’t have it all but it was so exciting.

Defeated Butterflies in Doddington Hall, Lincoln. Coverage on BBC breakfast news.

 

Ripe for rowing

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‘Ripe’, (2016) Sam Shendi

This was me 6 years ago ( well not quite) I’m a bit late posting, due to problems with my computer downloading images and being slow getting the words out! However, it’s enabled me to tie two themes together. My youngest sixth birthday was on Saturday and we watched the rowing and the woman’s eight win a silver medal.

In the last twenty years there has been huge developments in woman’s rowing, yesterday was a fantastic result. I sat and watched in remembrance of my days on the water at Durham and seeing Jess Eddie as a school girl rowing out of Durham’s ARC. Thinking of my good friend who made it to the Beijing Olympics and a former fellow high school student who was in the men’s eight. In the heptathalon, Jessica Ennis Hill proofed you can have a baby and come back to true athletic form. I am in awe of that. In the rowing and the athletics and for all the Olympic sports, there have been many comments about the sacrifice: the time away from family, the hours of training,  and that the moment of success which could so easily be snatched in the last second, out of the winning. Not usually decisive, I made that very clear conscious choice as I went down to London in pursuit of the rowing dream that I wasn’t going to be willing to sacrifice any more time for rowing. Four years had been enough for me.

Now as I watch my husband’s dedication, I again sit on the edge of that choice. My husband sacrifices for his art but it’s a different progress than the journey through a sporting one. For the sports person their window of opportunity is short and if added into that as a woman you have a child then the sacrifices are even greater. If you are pursuing any dream there has to be dedication and persistence and a choice of leading a life which is in pursuit of a goal.

There are sculptures of heavily pregnant woman but for me they are too realistic. Each blue circle on this piece represents a day of the pregnancy, the journey of the development. Perhaps too it can represent the sacrifice. Motherhood is the ultimate of that.

 

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Sweets verses veggies, outdoor sculpture

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Body Language by Sam Shendi
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Outside Doddington Hall, Lincoln

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These images are ‘sweeeeet’. I love the contrast between the bright colours against the linear burnt brown building and neat grass. The piece really looks like candy cane. The colours remind me of the ice cream farm choices stacked in rows where you want to choose by colour not flavour. For example, my youngest requests, ‘the blue and pink’ one please. “But that is bubblegum flavour, are you really going to like it?” I ask. “No”,vigorously shaking his head and promptly chooses a white and brown one. Not so visually attractive.

So I am more and more conscious of how we crave the sweet stuff and then how we slump after it. I love the idea of healthy eating but find it so difficult to maintain whilst having two boys who are not as keen on the idea. Wonder if using my new spiralizer this summer, which will make colourful veggie noodles, will make them change their minds. My eldest is eager for me to try, I just hope all the fun is not in the turning but in the eating also. So lets take a healthier approach and say these sculptures look like natural growing veggies from the ground….just not sure about the blue!

PS. For those of you who think this is an abstract piece. Take another look. See, a head, a body and legs crossed over sitting on the lawn. Relaxing after a healthy spot of lunch in the garden.