‘Big step’, towards…

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‘Big Step’ 2016 Sam Shendi

This is the latest piece in the Giant Collection which I wrote about in an earlier post, the other two now stand proudly in Berkeley square house, London. Yesterday this piece, with much relief just about fitted into the hired van and went down to London with the sculptor and his right hand man. It is to be exhibited this week in Flux exhibition which was covered in FAD magazine. ( which you can see in the link). Anyway, enough of the promotion.

The Giant collection looks at stages in mental depression. Despite class or education most people all share a high level of knowledge and depth of thought. Looking through the history of art, some of the best art has been produced at a time of depression that the artist went through. The “Giant” collection speaks of three periods of depression which resulted in three sculptures presenting, the beginning with the silent period (Bird whisperer) and the middle period when every small thing becomes a heavy weight on your shoulders (Atlas). Lastly, the break through when the person comes out through the other side (Big Step).   This collection is brightly coloured even though its portraying a dark period. Some of us agree that the period of depression is a period of realisation and self discovery. Sometimes we need that grappling with ourselves to become enlightened.

big-step-with-sculptor

I like this photo above because of the shadows, which play an important role in my husbands work. With himself in the picture we can see the scale of this work but also his shadow is cast within the shadow of the sculptor, as though the sculptor is within his sculpture.

When asked how he created his masterpiece, Michelangelo said, “It was easy. You just chip away that which does not look like David.” I think my husband works in this same way. He sees the sculpture within the material.

Whilst my husband is focusing on the art of creating art. I have been looking into the art of tidying and de-cluttering in order to make more space within the space of our home. One of my discoveries was Maura, who uses the Michelangelo quote and goes on to say. “What if our lives are our masterpiece? What if we chipped away all that was unnecessary, all the clutter and the busyness, and focused on that which really mattered – our passions and our relationships.”

A few months ago I read Marie Kondo’s book The art of tidying which prompted me to start with clothing and thinking about what ‘Spark’s joy’. But now I am more in a state of purging, of de-cluttering and de-owning things that really don’t serve any purpose. It’s an interesting battle as I look at a shelf and think I want that to be empty and free, that’s easy. It’s hard when you first look at something and somehow it has memories and attachments for what ever reason. However, It is so liberating though when it works. In my kitchen, I got rid of things I wasn’t using, re ordered the cupboards and have created more work surface area.  As the sculptor is now in London for a few days with the exhibition, I have boys and business and home and school to manage. Yesterday evening we came in late after Taekwando and despite being unorganised in not knowing what we were having for tea, the tidy kitchen surfaces aided my ability to create a vegan concoction (as it was world vegan day apparently). So ratatouille was rustled up and couscous and stuffed peppers, thanks to Deliciously Ella, but alas in an attempt to de-clutter the freezer I had to cook the world’s most spiciest sausages (not so vegan) for the boys just incase the veggie attempts were too scary. They had great pleasure in daring each other to eat as many pieces of sausage without drinking any water. Needless to say those sausages will not be bought again,though they did have the advantage of being in a cardboard box not plastic. This is my other consideration at the moment, as I de-clutter and then look at how much waste we produce from a household of four- a ridiculous amount! The zero waste movement seems to be the next step after de-cluttering, not sure how I will get everyone onboard with that idea!

As I delve into this strange cyber world of woman tidying up their houses, I realise and am reminded that in normal everyday conversation we rarely speak of the state of our house work. This leads me nicely to a writer in New Zealand who’s latest published piece ‘Homework‘ looks into the demands of domesticity and how perhaps we have lost the dignity in priding ourselves on how we keep our house. When people ask me what do I do, do I say home maker?

So, to my last link, of this very heavily laden linked post, and back to the sculpture: what breakthroughs are you making today? What big steps forward are you taking? At home, at work, in your art? What are you chipping away at? Keep at it. Best foot forward.

big-step-fr

Practicality and the art of tidying

Colour, Connections, Exhibitions, Galleries, Philosophy, Relationships, Soul searching

I have been itching, quite literally, as my eczema has been so bad but an investment in a pair of marigolds seems to be helping with the problem. Suggested by my husband, no problems only solutions. However, that was not my point. I have been desperate to carry on with my sorting and de-cluttering since the boys went back to school on Tuesday. I have been at the shop though, as ever practical, my husband ordered a storage unit for the side of the studio to put in work which is not in exhibition but finished so to create more space in the studio for creating. He has been impatiently wanting this solution for a while.

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storage 1

 

 

 

 

 

 

 

He booked out a whole day to wait for the delivery, only to be told they couldn’t make it as they needed a special machine. They said they could bring it at 6pm so my husband waited until 7.30pm and it still didn’t arrive. 8am the following morning we received a call saying they were outside the studio. We both wonder why we are so excited about storage and tidying at the moment.

Today, the sculptor was up early (3.30am) again London bound as we have excitedly sold ‘Madame Butterfly’. Then he and his right hand man are heading on to deliver the remainder of the calligraphy collection to the Hannah Pescher sculpture gardens.

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Some of the calligraphy collection heading to Hannah Pescher

So I have been in the shop all week unable to carry on my house de-clutter project. However, since my last post which resonated with many people a dear friend pointed me in the direction of the KonMari method. So, I have had time this week to do a little research. The method has been created by a Japanese lady Marie Kondo.

Japan and all things Japanese are in my blood, it feels or has definitely have influenced the shaping of me in someway. When I was 18 I went to a small village to live and work in a Leonard Cheshire home. At that time I had only ever been to France and Holland, so the culture shock was huge but I embraced and enjoyed the deep and spiritual meaning which seeped into every aspect of the lifestyle and way of being.

This sculpture, ‘Madame Butterfly’ is the outline of a woman wearing a Kimono. A geisha girl. The opera is very much about the meeting of east and west and there is such contrast between the attitudes and styles of the western world and the eastern traditions. As in the simplicity I desire for the home, this style of the theme of work by husband is about stripping back the outline to the simplest form.

madame b2

Looking into Marie Kondo’s style and her art of tidying was a great reminder of the Japanese art of being and living. Something I have not been doing and not obviously picked up from my time in Japan as I looked last night at the disaster and disorganisation of my domain. So, eager to implement it, I ‘KonMari’ -ed my wardrobe which is where she suggests to start. With clothing. This seems where I have been going wrong. Starting with all my Japanese memorabilia, letters and souvenir boxes was too hard. I need to learn how to sense whether an item ‘Spark’s Joy’ or not. According to her, by the time I have worked through clothes, books, documents and miscellaneous only then can I tackle those things that have meaning.

In just two hours I folded my huge pile of clothes, origami style and feel instantly inspired. Today wearing a skirt I have never worn before, so much so that the boys were shocked this morning and wondered if I was taking them to school with it on. A skirt which I bought in Egypt when I was staying with my sister-in-law for an extended period of time during maternity leave. So immediately the item has a memory, a story attached to the item of clothing and in this case it spark’s joy. Although, I did have to negotiate the steps up to school a little bit unused to the length of dress.

In today’s busy, constant buying and consumer driven world we all seem to have a deep desire to get back to a more basic way of life. Once we have detached from the past we can focus on the here and now and have no fear of the future- this is the theory. Can we put it into practice?

As the sculptor parts with another sculpture to someone who has purchased it as an item which will hopefully spark joy for them, I wonder what to do with my treasured kimono? Defiantly not something practical to be wearing on the school run.

madame b

Kimono Section of ‘Madame Butterfly’