Hidden Symbols

collections, Colour, Exhibitions, Galleries

I am sat with a hot black coffee and some jammy figs trying to resist the urge to pick up the book I am currently reading. The problem I have with reading is that it is incapacitating, I don’t want to do anything else. This week however I am solely in charge of our business and the boys as the sculptor is in London at the Saatchi gallery with a solo booth at Start Art Fair.

This is a tick off the bucket list, although not a complete solo show in the entire space which would be the next step.

The pieces look something again in a totally white space and the advice of ‘less is more’ definitely paid off.

start art pieces

Sam Shendi, Start Art Fair 2018, Saatchi gallery, London.

When we look at art I wonder if we always want a quick fix, we want it to makes sense to us, to understand what we are looking at. Photography, painting and sculpture in the past always portrayed some kind of reality even if colours were at odds with the world around us or angles and lines in wrong places.

Someone interestingly asked the question whether my husband used the golden ratio in his work. With artists who have natural talent the rules are somehow embedded within their psyche they have a sense of why and what looks right. They aren’t necessarily following rules by prescription.  What they see makes sense aesthetically and their way of seeing and thinking is different.

These particular pieces maybe seen by some, as abstract forms, colourful piping for the playground or an object to lock your bike to. Shape or space. For the journey of sculpture it is about a three-dimensional form, how to visualise something from every possible angle. What inspires the form for my husband is all rooted in the human figure. The outline or the line that one would sketch becomes manipulated to show a position or body movement. If you look at some of Henry Moore’s abstract piece they look like pieces of vertebrae, focused on mass and volume. If we were to take the outline of those shapes we have these Shendi pieces. The negative space which the colourful line creates could be the sculpture. Or the line itself the sculpture which simultaneously casts a shadow also creating meaning and symbols. Hence, the name of these pieces: Hidden Symbols.

From this angle, the sculpture on the left shows the infinity symbol which becomes a very different shape looking at it from a different angle, an example of how we can all have alternate view points. The sculpture on the right could be a graph, a symbol of communicating information visually.

It is a journey to abstraction based on reality. In a world where we are over stimulated with reality, in the era of social media and screens of visual reality we no longer need to see sculptures of human bodies literally.

Art can take us into new ways of seeing, expand our ideas and if we sit down long enough, make us think for ourselves and use our own imaginations again.

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A repost of an interview in South Africa. In conversation with….

Exhibitions, Galleries

It is a year since this exhibition in South Africa but I wanted to re-post this video to see again this huge collection down in the southern hemisphere. Some great, huge pieces and a collection which tells a story. Sculptural Story telling.

 

Why the long face, soul so beautiful?

Connections, Philosophy, Relationships

Soul so beautiful

Oh soul, so light, so beautiful

This world is just too much for you

Your feet are treading softly

On broken glass

The pain seeps from your skin

Your eyes flicker of the sadness within

As you clamber to hold

on to the day

The mind is a wild garden

over grown, lost, forgotten

bird songs echo of

the silent tears you weep

‘Long Face’, Sam Shendi at Graham’s Gallery Johannesburg

In conversation with….

Exhibitions, Galleries

Film clip of opening night

Exhibitions, Galleries, Uncategorized

Tonight is the night

Exhibitions, Galleries

After several years of carving, crafting, working and whipping up huge sculptural stories, tonight in Johannesburg the opening of my husband solo show will showcase all that work in one space at Graham’s Fine Art Gallery (photos from the gallery)

The sculptor was amazed to see himself larger than life. ( I see this everyday!) but literally plastered all over the building.

gallery outsidelarge posterposter2

A month at sea, a stay in the port and then the drive from Durban to Johannesburg to the gallery, the sculptures arrived not quite without hiccup.

 

A few damaged and the repair kit missing added to the drama. However, hoping today that has all been fixed. I haven’t heard any updates so praying that everything is going well.

So he spent an intense day unloading and setting up.

unveiling

Yesterday, he had interviews.magazine art timein coversation

Tonight the show will open. I am so excited all the way back home here in North Yorkshire and anticipating hearing all about it….find out more tomorrow.

Here is a sneak preview :

sneak peak 1sneak peaak 2

‘Seasons’ in South Africa

Exhibitions, Galleries

At the beginning of the year my husband took a trip to Johannesburg to check out a gallery there which was interested in his work. His trip turned into his usual adventure with tales to tell and amusing anecdotes to recount. Excitingly though he was really impressed by the space and what the gallery could deliver.

So began the next process of getting the sculptures ready and wrapped. Arranging meetings with the shipping company and which sculptures were going on the voyage. It was almost a huge relief when they left the studio revealing again space to start creating again.

The pieces looked like Christo’s work, wrapped and draped:

Packaged and ready (2017)

So I think a total of 24 sculptures and a sketch book to be framed and mounted were all at sea for the last month. Now the anticipation is of them arriving safely from Durban  travelling to Graham’s Gallery in Johannesburg for a large solo exhibition titled, ‘Seasons’. This is including the collections, ‘Mother and Child’, The Giants and the collection of heads.

His work explores the human condition and the human form, paring the visible shape down to it’s most minimal to describe the body as a simply a vessel which houses a shared human experience.

‘Seasons’ is a word I have only recently come across, being used as a term to describe the period of time we are in, not only the climatic shift from Winter into Spring. I am in a shifting season I think to match the time of year. Especially in motherhood do we experience extreme and often changing seasons but anyone experiences different times in their life and approaches to those moment. There is always the potential for change.

It seams a little surreal that this month on May 25th it will be the opening to his large solo show. There is still quite a lot of preparation to do before then and the sculptor will have to fly out before hand to check out each pieces do any necessary repairs and set up the exhibition. It’s going to be amazing to see such a collection in a professional space all together.

Repair kit (2017)

seasons poster

Less is More

Philosophy, Uncategorized
king-and-queen-4

‘King and Queen’ (2016)

‘Simplicity is the ultimate sophistication’ is a quote attributed to Leonardo da Vinci. I have really begun to tap into this idea of simplicity. It began last year when we cleared out the attic space in an attempt to start converting it into a inhabitable space. Full, it was of boxes, of my things. So I started to de-clutter and was recommended the book, ‘Spark Joy’ by Marie Kondo. Since then I have delved online into the world of Minimalism with countless sites and support groups. It is a work in process and I still have a way to go, being a natural hoarder. Tied into this is also the realisation of how much waste we produce and in minimising somethings I am also looking at how to reduce my own waste.

king-and-queen-5

Before you get any ideas of me producing no rubbish, I have to point out that we are still producing endless amounts of blank bin liners full of waste every week and that is what shocks me. Shocks me into action… a little bit. So, I start with myself. I am trying to be consistent in making my own dairy-free milks to reduce the number of tetrapacks. Our milkman delivers the milk in glass bottles which I rinse and return but my eldest and I are no longer having cow’s milk. Here in lies a little problem, of how you get everyone onboard in these journeys.

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‘The Bench’ (2014)

My husband’s work has always been around the human condition, the human figure. In many ways, if we think about form it is hardly surprising that sculptors have always been preoccupied with the human body. ‘Stripping away to the most simplistic form’ is what has become integral to his practise as a sculptor.

Clement Mont said “Very often people confuse simple with simplistic . The nuance is lost on most’. Within art in the 1960’s minimalism was about “painters and sculptors avoiding overt symbolism and emotional content, but instead called attention to the materiality of the works.” My husband is referencing this movement in many ways, perhaps in use of colour and form but using it as a platform for storytelling and communicating deep human messages. In a time when, globally, nationally and individually we seem to be hankering after meaning.

'The Bow'

‘The Bow’ (2012)

Hans Hoffman who was pivotal in abstract expressionism stated that, “The ability to simplify mean to eliminate the unnecessary so that the necessary may speak”.

In the art of de-cluttering your possessions, this rings true. We live in a world of consumerism and a society driven on the belief that acquiring possessions and wealth will lead to greater happiness. A study from Princeton University shows that too much disorganized stimuli simply overwhelms the brain. I am finding that getting rid of the excess is leading to more time, more space and more opportunities. Only at the start of my journey, I am already feeling the benefits, peeping through like the snowdrops beginning to emerge from the frosted soil.

I am finding my ability to the house work a more pleasurable process and less time-consuming. If we take pleasure in the things we do have, we can value their role and be less wasteful in what we consume. Although it is not to become another thing we aim to achieve just to keep up with others, or put pressure on ourselves for perfection perhaps.

‘Nature was pleased with simplicity’ Issac Newton believed and that ‘Truth is ever to be found in the simplicity and not the multiplicity and confusion of things. With the world around us being a noise of confusion, the art world should be responding by giving us something beautiful, simple yet telling a visual story and reminding us what is means to be human. Slightly bias, but I think my husband’s sculptures do just that.

isolated

‘Isolated’ (2013)

Boys, Barnsley and beyond.

Exhibitions, Galleries, Uncategorized

Friday afternoon I took the boys out of school and headed down to Barnsley, it was busy on the roads but according to my phone we were in good time. The boys had snacks in the back but my youngest wasn’t happy with egg sandwiches as they would make him smell he grumbled. This is the boy who eats enough eggs to warrant me having a chicken farm. My eldest pointed out the sign for Barnsley but ‘no’ I said with trusty faith in my technology, we were coming off at the next junction. So we finally came off the motorway and  into some traffic works and something didn’t feel quite right. So I pulled in at a garage and looked at my phone. Somehow, and I have no idea how this happened I was heading to the wrong postcode. Fortunately still in the Barnsley area but I had over shot and we were much further south than we needed to be. So I had to turnaround and head back 20 min north with only 5 minutes until opening time. My eldest who usually joins in with my panic with sound effects was surprisingly ultra supportive in my panic. Reminding me that it was all ok, that we were all ok and we would still get there. That everything was going to be alright. It was a good little test for me. I knew we didn’t need to get there at 4pm on the dot but I do like to get to places on time and it was frustrating. Trying to keep calm I reminded myself to think that for whatever reason we had been sent on a little extended tour getting frazzled wasn’t going to help. It was getting darker, and busier driving into the one way system of the town centre so my tension did increase a little. We found parking easily enough and found the gallery. Only 15 min late.phew and not overly stressed. So by the time I walked in I really needed a moment to compose myself as I then faced this:
exhibition-enterence

 

film-exhibit

It was amazing to see the projection of the video, the black and white photos of the process, and into a space with all 10 glorious sculptures together, with clean white walls and fantastic lighting to set them off. The boys took pictures and their sketchbook around, our youngest a little more keen than the eldest unusually so. The eldest appearing to showing small signs of transforming into a little teenager.

There were just enough people there for the private view to make it intimate and for us to talk to the people who had made the effort to come along. The Civic has some lovely interactive activities for children if you can make it whilst the show is running. We have already seen a few more press articles and photographs which are stunning, more of which you can see on The Sculptor’s Wife Facebook page. or this one below is good, if you have managed to stay off the world of Facebook.

press

I love the idea of transformation. We all have the ability to change. I think winter is the time to prepare for transformation. This morning the scenery on my way to the shop was stunning. The trees in their bare winter glory stood like silhouettes against a hazy, sleepy, wintry landscape of greys and blues with a bright sun lighting up the valley making it twinkle. The land retreats into a cold crisp coating. We can retreat to contemplate the year past and marinate in stillness on how we deal with things in the moment. So, we can be calmer and focused in those times of stress and panic be it small or big, when you get lost on the road or in life. Using that stillness to have the ability to see beyond the discomfort of the moment and know that ultimately everything is going to be alright.

Take Five, ‘artists who have lit up the genre’. How one got there.

History
black-and-white-photo-exhibi

The gallery, The Civic, Mother and Child by Sam Shendi

It’s about 14 years since I met ‘the sculptor’ and although when I met him he wasn’t practising very much, he did an occasional clay sculpture but he was painting and drawing all the time, as that is what his space limited him to. Over the years as we increased our space his practice developed along with it. We had a fantastic attic flat for a year where lots of clay maquettes were made. When we bought our first house they survived the move and were all sat on a folding dining room table until one night we heard a crash and the table had collapsed along with probably 50 or so clay sculptures.

Just after I had our first child I was sat in the living room and the midwife came to visit,  3 clay heads lined up on the floor and she pointed to them and said that will have to stop. I never really understood what she meant. I was in the fog of being a new mum. I hope she meant that we would have to stop putting them on the floor and that she didn’t mean to stop the practice.

We did stop putting them on the floor but the studio then was a tiny shed in our yard until about perhaps 4 years ago – I’ve lost count, when we finally got a studio space and this was pivotal in the development of his work.

In January I will have been online with this blog for 6 years and this is my 250th post. And in this time we have come so far. On Saturday in the weekend Yorkshire post, we were so excited to see this:

take-5

Saturday 26th November, Yorkshire Post Magazine

 

To be listed alongside Barbara Hepworth and Henry Moore is a dream come true. We are lucky in Yorkshire to have had these two greats among our history, heritage and it is quite almost unbelievable to be seeing ‘the sculptor’s’ name in a top 5 list with them. From my point of view, it is so deserving and so true.

It is great publicity for our other achievement, a solo show opening at The Civic in Barnsley. Yesterday my husband and the team at the gallery set up and it’s all ready for the private view on Friday evening and the show runs until January 28th 2017. The photos he took of the set up look stunning. The exhibition is entitled Mother and Child and it was interesting looking back and my first three blog entries all of mother and child pieces. Mother and Child is an endless subject and timeless. This exhibition at The Civic is very much about storytelling.

mother-and-child-collection

‘The colour blue is prevalent throughout the collection, and is used in a way that it respectfully represents the struggles which go with motherhood; the depression, the sleepless nights, the fear of losing the child, the back pain, the swollen feet, the pain of giving birth and going beyond one’s own comfort, the sacrifice.

It seems ironic that the journey we have taken in developing the sculptor’s success into the art world mirrors my own journey as a mother. When I look at these pieces they are monuments of the last 10 years of motherhood for me. But they are everyone. They will touch and impact on anyone who sees them. They are a reminder of the truth, motherhood is one of the greatest and unrecognised and often under appreciated roles on earth.

If you are in Yorkshire anytime from  3rd to January 28th I would recommend a visit to The Civic. Open Tuesday -Saturday, 10am- 5pm.