Sam Shendi with Sculpture 2018
Last night I was sandwiching together a ridiculous number of cakes to make a rainbow coloured stack and cutting up the most pink sparkly sugar filled rocky road. I sent my youngest off to school this morning with them all precariously balanced in a tin for the Christmas fair. I am not sure how they will survive, if they will look appetising or how they will be served.
However, in the middle of my cake art, the sculptor returned from the studio but quickly went back out for a photo shoot. Luckily the boys were very happy occupying themselves, as at the moment bedlam seems to occur at bedtime. The eldest was busy doing origami and the youngest creating his own floor pool game with golf balls and a long plastic stick from the axe, which was part of a Halloween costume. So everyone was being creative in their own way.
The sculptor said he’d stopped doing carving for several reasons but I knew it wouldn’t last long. A new collection called, ‘The philosophers’ has been created this last month. I love the white on white in this image, it is reminiscent of sculptural busts of old. Topped with pink like candy. I am not sure yet if each one has its own name but this one is very pensive to me. Sweet thoughts.
So wishing you a deep and meaningful December. I will leave you to ponder.
“Art is not about itself but the attention we bring to it”
Frank Stella wisely noted that ‘a sculpture is just a painting cut out and stood up somewhere’, this statement can be justly applied to Sam Shendi’s work. His work explores the relationship between vertical and horizontal and the interplay of gravity whilst simultaneously exploring the human figure.
The Egyptian influences are clearly visible in his work, hidden symbolism of obelisks, sun-balls or eggs, also with the illumination in bright colours. The physicality of the material, the cut out steel is reduced to the essential parts, nothing is extraneous, and all is elemental. This refined approach to sculpture means Shendi has the artistic ability, the technical know-how to capture the very nature of things.
Based on architectural forms and modernist morphology he brings in a twist of fun and playfulness. The final finished works take a fine line between representation and abstraction. Sam minimizes the human figure through structure, strong verticals set against horizontals. This pure joy of colour, this delight in simple and clean lines means that the work is infused with a gentle humour and is designed to give pleasure, whilst being founded upon serious geometric principles.
Sam is a sculptor who has a sense of history, schooled at the prestigious Helwen University of Fine Arts in Cairo and has been commissioned to produce large-scale pieces for public spaces. His work is rich in references and constructed with the assured precision of a consummate craftsman.